{"id":2100,"date":"2020-08-01T12:30:15","date_gmt":"2020-08-01T10:30:15","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=2100"},"modified":"2021-11-09T20:42:27","modified_gmt":"2021-11-09T19:42:27","slug":"bona-sforza-daragon-and-the-role-of-fashion-in-creating-her-image","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=2100&lang=en","title":{"rendered":"Bona Sforza d\u2019Aragon and the Role of Fashion in Creating Her Image"},"content":{"rendered":"
<\/p>\n

Agnieszka Bender<\/a><\/h2>\n

(Uniwersytet Kardyna\u0142a Stefana Wyszy\u0144skiego w Warszawie)
\nE-mail: a.bender[at]uksw.edu.pl
\nORCID<\/a>: 0000-0002-0432-7436
\nDOI<\/a>: 10.31261\/FLPI.2020.02.03
\n\u201eFabrica Litterarum Polono-Italica\u201d 2020, nr 1, s. 33-52<\/p>\n

Download the article<\/a><\/strong>
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\nThe article is available in Polish<\/a><\/strong><\/p>\n

Abstract<\/strong><\/p>\n

The main goal of the article is to examine how queen Bona Sforza\u2019s taste and interest in fashion has been influenced by her nearest milieu \u2013 including her mother, Isabella of Aragon \u2013 since her childhood in Italy and until her arrival in Poland. In the first part of the text, the author seeks to obtain an answer to the question of how the Renaissance fashion could influence Bona\u2019s look and garments. The author proposes her own translations of several sources which shed new light on the subject. The description of wedding celebrations written by Giuliano Passero, Giuliano Passero cittadino napoletano o sia prima pubblicazione in istampa, delle Storie in forma di Giornali<\/em> (Napoli, 1785) is especially important for this article. The new translation of this text differs occasionally from that published by W\u0142adys\u0142aw Pociecha several years ago. In the second part of this article, the author analyses ceremonial dress and jewellery which we can see on the earliest preserved portrait of Bona, painted most likely in Italy, around 1518. The woodcut, included in Jost Ludwik Decjusz\u2019s De Sigismundi regis temporibus liber III<\/em> in 1521, could not precisely depict the facial features and details of the young queen\u2019s apparel.<\/p>\n

\n<\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"

The main goal of the article is to examine how queen Bona Sforza\u2019s taste and interest in fashion has been influenced by her nearest milieu \u2013 including her mother, Isabella of Aragon \u2013 since her childhood in Italy and until her arrival in Poland. In the first part of the text, the author seeks to obtain an answer to the question of how the Renaissance fashion could influence Bona\u2019s look and garments. The author proposes her own translations of several sources which shed new light on the subject. The description of wedding celebrations written by Giuliano Passero, Giuliano Passero cittadino napoletano o sia prima pubblicazione in istampa, delle Storie in forma di Giornali (Napoli, 1785) is especially important for this article. The new translation of this text differs occasionally from that published by W\u0142adys\u0142aw Pociecha several years ago. In the second part of this article, the author analyses ceremonial dress and jewellery which we can see on the earliest preserved portrait of Bona, painted most likely in Italy, around 1518. The woodcut, included in Jost Ludwik Decjusz\u2019s De Sigismundi regis temporibus liber III in 1521, could not precisely depict the facial features and details of the young queen\u2019s apparel.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[976,528,910,903],"tags":[1451,1463,1479,1455,1473],"class_list":["post-2100","post","type-post","status-publish","format-standard","hentry","category-agnieszka-bender-en","category-articles-and-studies","category-heritage-of-bona-sforza-en","category-nr-1-2-2020-en","tag-bona-sforza-of-aragon","tag-isabella-of-aragon","tag-jewellery","tag-renaissance-fashion","tag-woodcut","clearfix"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/2100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2100"}],"version-history":[{"count":8,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/2100\/revisions"}],"predecessor-version":[{"id":3160,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/2100\/revisions\/3160"}],"wp:attachment":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}