{"id":2819,"date":"2021-05-28T17:00:00","date_gmt":"2021-05-28T15:00:00","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=2819"},"modified":"2021-11-09T15:02:14","modified_gmt":"2021-11-09T14:02:14","slug":"what-is-poetry-derrida-unilowski-berardi","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=2819&lang=en","title":{"rendered":"\u201cWhat is poetry?\u201d (Derrida, Uni\u0142owski, Berardi)."},"content":{"rendered":"
<\/p>\n

Aleksander Nawarecki<\/a><\/h2>\n

(Uniwersytet \u015al\u0105ski w Katowicach)
E-mail: aleksander.nawarecki[at]us.edu.pl
ORCID<\/a>: 0000-0001-7271-2080
DOI<\/a>: 10.31261\/FLPI.2021.03.06
\u201eFabrica Litterarum Polono-Italica\u201d 2021, nr 1, s. 79-96<\/p>\n

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The article is available in Polish<\/a><\/strong><\/p>\n

Abstract<\/strong><\/p>\n

The article takes the form of a triptych presenting the views on the poetry of Jacques Derrida, Krzysztof Uni\u0142owski and Franco Berardi. It exposes the differences in the position of a philosopher, literary critic and political scientist, and at the same time the different sensitivity of a French, Pole and Italian. The initial question \u201cWhat is poetry\u201d, formulated in Italian, has important consequences, because in the opinion of many European nations, Italian sounds at once songful, childish and poetic. The effect of this stereotype is the \u201cItalianization\u201d of poetry associated with fun, pleasure, sensuality, sweetness, etc. Derrida \u2013 as the author suggests \u2013 dialogues with this myth comparing the poem to the hedgehog from a fairy tale for children. The philosopher from Bologna, on the contrary, rejects \u201cinfantile\u201d associations, and attributes to poetry a healing, revolutionary, messianic power. Finally, Uni\u0142owski, who has been reluctant to comment on poems, discovers the originality and topicality of Berardi\u2019s position, which provokes a series of associations concerning both contemporary and ancient humanities.<\/p>\n

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