{"id":3453,"date":"2022-07-04T11:20:51","date_gmt":"2022-07-04T09:20:51","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=3453"},"modified":"2024-03-02T13:36:46","modified_gmt":"2024-03-02T12:36:46","slug":"fabrica-litterarum-polono-italica-nr-1-4-2022-noblisci","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=3453&lang=en","title":{"rendered":"\u201eFabrica Litterarum Polono-Italica\u201d, nr 1 (4) 2022 \u2013 The Nobel Prize Laureates"},"content":{"rendered":"<section class=\"kc-elm kc-css-590967 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-585303 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-740739 kc_text_block\"><\/p>\n<h2 style=\"text-align: center;\">&#8222;Fabrica Litterarum Polono-Italica\"<br \/>nr 1 (4) 2022<\/h2>\n<h3 style=\"text-align: center;\">The Nobel Prize Laureates<br \/>red. Mariusz Jochemczyk, Mi\u0142osz Piotrowiak<\/h3>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.journals.us.edu.pl\/index.php\/flit\/issue\/view\/1249\/1013\" target=\"_blank\" rel=\"noopener\">Download all Issues<\/a><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> <strong>Mariusz Jochemczyk, Mi\u0142osz Piotrowiak: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3510&#038;lang=en\">Introduction.<\/a><br \/><\/strong><\/h3>\n<h2>\u00a0<\/h2>\n<h2 style=\"text-align: center;\">Articles and Studies<\/h2>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> <strong>Ireneusz Gielata: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3528&#038;lang=en\">Maps of Sienkiewicz.<\/a><br \/><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"><strong> Jolanta Sztachelska: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3539&#038;lang=en\">Looking for self. Reymont in Italy.<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/IT.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Alessandro Scarsella<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3552&#038;lang=en\">Long live Italy: Carducci, the strange Nobel Prize.<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 \" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Tadeusz S\u0142awek<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3568&#038;lang=en\">Pirandello, or how not to trust your reality.<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/IT.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Mariangela Lando<strong>:\u00a0<a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3588&#038;lang=en\">Salvatore Quasimodo. Reception in anthologies: decline after apotheosis?<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> J\u00f3zef Olejniczak<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3596&#038;lang=en\">Mi\u0142osz. North \u2013 South (intuitions and fragments).<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/IT.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Sara Quondamatteo<strong>:\u00a0<a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3620&#038;lang=en\">\u201eIn the Heart of Destruction\u201d. Mi\u0142osz and the recovery of poetry as mythopoiesis.<\/a><\/strong><\/h3>\n<div>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Wojciech Lig\u0119za<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3629&#038;lang=en\">\u201cDawning masterfully recast as morning\u201d \u2013 creating the world. Around the poem Early Hour by Wis\u0142awa Szymborska.<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Ewa S\u0142awek<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3642&#038;lang=en\">Olga Tokarczuk\u2019s Primeval and other Times \u2013 Cultural and Ecological Linguistics Perspectives.<\/a><\/strong><\/h3>\n<\/div>\n<h2 style=\"text-align: center;\"><strong>Varia<\/strong><\/h2>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Zofia Anuszkiewicz<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3655&#038;lang=en\">Senseless cares.<\/a><\/strong><\/h3>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/IT.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Tiziana D`Amico<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3674&#038;lang=en\">Bohemian Bible dated 1506. Czech book culture between the 15th and 16th centuries.<\/a><br \/><\/strong><\/h3>\n<div>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/PL.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Agnieszka Pastucha-Blin<strong>: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3682&#038;lang=en\">The war for the perfect body. Metaphorical conceptualization as one of the persuasive discourse strategies.<\/a><\/strong><\/h3>\n<\/div>\n<h3>\u00a0<\/h3>\n<div>\n<h2 style=\"text-align: center;\"><strong>Discussions, overviews and commentaries<\/strong><\/h2>\n<\/div>\n<h3><a href=\"http:\/\/agnkoc.webd.pl\/fabrica\/wp-content\/uploads\/2018\/12\/zebatka-biala20.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1725 size-full\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/zebatka-biala20.png\" alt=\"\" width=\"20\" height=\"19\" title=\"\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/www.fabrica.us.edu.pl\/wp-content\/uploads\/2019\/03\/IT.png\" alt=\"\" width=\"22\" height=\"15\" title=\"\"> Alessandro Ajres: <a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3701&#038;lang=en\">Caparezza and the language of Italian rap. Annarita Miglietta: <em>Sulla lingua del rap italiano. Analisi quali-quantitativa dei testi di Caparezza<\/em>. Firenze 2019, 126 p.<\/a><\/h3>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Tragedia sztokholmska \u2013 tak w 1996 roku o Nagrodzie Nobla m\u00f3wi\u0142a polska laureatka tej nagrody w dziedzinie literatury \u2013 Wis\u0142awa Szymborska. I by\u0142o z pewno\u015bci\u0105 w tym stwierdzeniu, opr\u00f3cz pewnej kokieterii podszytej sarkazmem, wiele niek\u0142amanej racji. Bo je\u015bli ceni\u0105cy sobie spok\u00f3j literat mia\u0142by na wieki utraci\u0107 ten azyl codziennych rytua\u0142\u00f3w, to Nagroda Nobla z pewno\u015bci\u0105 rozbije w py\u0142 pisarsk\u0105 pustelni\u0119 i skieruje snop reflektor\u00f3w publicznej uwagi na nowego \u201ecelebryt\u0119\u201d. A decyduje o tym wyborze gabinetowa rada kilku dosy\u0107 przypadkowych ekspert\u00f3w o reputacji cz\u0119sto \u201epodcinanej\u201d plotkami i towarzyskimi skandalikami. I jakby na przek\u00f3r tej wiedzy \u2013 ka\u017cdy kulturalny cz\u0142owiek musi w ci\u0105gu kilku miesi\u0119cy odrobi\u0107 noblowsk\u0105 lekcj\u0119 i doczyta\u0107 jeszcze jeden tw\u00f3rczy korpus tekstowy. Chyba \u017ce wyb\u00f3r Akademii Kr\u00f3lewskiej oka\u017ce si\u0119 tak egzotyczny, \u017ce t\u0142umacze\u0144 szuka\u0107 ze \u015bwiec\u0105\u2026<\/p>\n","protected":false},"author":2,"featured_media":3489,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[36,2214,2358],"tags":[2350,1075,2314,2290,2302,2308,2296,2320,1678,1682,2326,428,2344,2332,2338],"class_list":["post-3453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contents","category-nr-1-4-2022-en","category-the-nobel-prize-laureates","tag-agnieszka-pastucha-blin-en","tag-alessandro-ajres-en","tag-alessandro-scarsella-en","tag-ewa-slawek-en","tag-ireneusz-gielata-en","tag-jolanta-sztachelska-en","tag-jozef-olejniczak-en","tag-mariangela-lando-en","tag-mariusz-jochemczyk-en","tag-milosz-piotrowiak-en","tag-sara-quondamatteo-en","tag-tadeusz-slawek-en","tag-tiziana-damico-en","tag-wojciech-ligeza-en","tag-zofia-anuszkiewicz-en","clearfix"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/3453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3453"}],"version-history":[{"count":20,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/3453\/revisions"}],"predecessor-version":[{"id":4177,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/3453\/revisions\/4177"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/media\/3489"}],"wp:attachment":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}