{"id":3576,"date":"2022-07-04T19:06:19","date_gmt":"2022-07-04T17:06:19","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=3576"},"modified":"2022-07-04T19:13:10","modified_gmt":"2022-07-04T17:13:10","slug":"salvatore-quasimodo-la-ricezione-nelle-antologie-il-declino-dopo-lapoteosi","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=3576","title":{"rendered":"Salvatore Quasimodo. Recepcja w antologiach: schy\u0142ek po apoteozie?"},"content":{"rendered":"<section class=\"kc-elm kc-css-897016 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-182223 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-347879 kc_text_block\"><\/p>\n<h2><a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3467#aut_Lando\">Mariangela Lando<\/a><\/h2>\n<p>(Universit\u00e0 Ca\u2019 Foscari)<br \/>E-mail: mariangela.lando[at]unive.it<br \/><a href=\"https:\/\/orcid.org\/0000-0002-9870-3614\" target=\"_blank\" rel=\"noopener\">ORCID<\/a>: 0000-0002-9870-3614<br \/><a href=\"https:\/\/doi.org\/10.31261\/FLPI.2022.04.06\" target=\"_blank\" rel=\"noopener\">DOI<\/a>: 10.31261\/FLPI.2022.04.06<br \/>\u201eFabrica Litterarum Polono-Italica\u201d 2022, nr 1<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3580&amp;lang=it\"><strong>Pobierz artyku\u0142<\/strong><\/a><br \/><a href=\"https:\/\/www.journals.us.edu.pl\/index.php\/flit\/issue\/view\/1249\/1013\" target=\"_blank\" rel=\"noopener\"><strong>Pobierz ca\u0142y numer<\/strong><\/a><br \/><strong>Artyku\u0142 jest dost\u0119pny w\u00a0<a href=\"https:\/\/www.fabrica.us.edu.pl\/?p=3580&amp;lang=it\">j\u0119zyku w\u0142oskim<\/a><\/strong><\/p>\n<p><strong>Abstrakt<\/strong><\/p>\n<p style=\"text-align: justify;\">Czy Quasimodo jest nadal aktualny, czy nastroje jego poezji nie brzmi\u0105 fa\u0142szyw\u0105 nut\u0105? Antologiczna recepcja dzie\u0142 Quasimoda wydaje si\u0119 koncentrowa\u0107 na jego roli niekwestionowanego interpretatora hermetyzmu. W\u015br\u00f3d g\u0142\u00f3wnych diagnost\u00f3w kondycji wsp\u00f3\u0142czesnego cz\u0142owieka umieszcza si\u0119 w\u0142a\u015bnie Quasimoda \u2013 przypisuj\u0105c mu znacz\u0105c\u0105 rol\u0119 w literaturze XX wieku, o czym \u015bwiadcz\u0105 nadane mu mi\u0119dzynarodowe wyr\u00f3\u017cnienia, kt\u00f3re doprowadzi\u0142y do przyznania mu z czasem presti\u017cowej literackiej Nagrody Nobla w 1959 roku. W jego tw\u00f3rczo\u015bci zbiegaj\u0105 si\u0119 g\u0142\u0119bokie ludzkie refleksje, pe\u0142ne punkt\u00f3w zwrotnych, spostrze\u017ce\u0144 i oryginalnych rozwi\u0105za\u0144 stylistycznych. Artyku\u0142 ma na celu zbadanie tom\u00f3w antologicznych wykorzystywanych w szko\u0142ach \u015brednich w ostatnich dziesi\u0119cioleciach, a tak\u017ce analiz\u0119 r\u00f3\u017cnic mi\u0119dzy obecno\u015bci\u0105 tekst\u00f3w Quasimoda, a innych wsp\u00f3\u0142czesnych mu autor\u00f3w, w \u015bwietle odmiennych podej\u015b\u0107 kurator\u00f3w i antologist\u00f3w. Autork\u0119 interesuje zar\u00f3wno kanon autorski proponowany uczniom, jak i funkcjonalne u\u017cycia fragment\u00f3w wybranych dzie\u0142 Quasimoda.<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[526,2700,2356,2212],"tags":[2457,2421,2465,2455],"class_list":["post-3576","post","type-post","status-publish","format-standard","hentry","category-artykuly-i-rozprawy","category-mariangela-lando","category-noblisci","category-nr-1-4-2022","tag-antologia","tag-nagroda-nobla","tag-recepcja","tag-salvatore-quasimodo-pl","clearfix"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/3576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3576"}],"version-history":[{"count":4,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/3576\/revisions"}],"predecessor-version":[{"id":3586,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/3576\/revisions\/3586"}],"wp:attachment":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}