{"id":3596,"date":"2022-07-04T19:54:03","date_gmt":"2022-07-04T17:54:03","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=3596"},"modified":"2022-07-04T19:55:26","modified_gmt":"2022-07-04T17:55:26","slug":"milosz-north-south-intuitions-and-fragments","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=3596&lang=en","title":{"rendered":"Mi\u0142osz. North \u2013 South (intuitions and fragments)"},"content":{"rendered":"
<\/p>\n

J\u00f3zef Olejniczak<\/a><\/h2>\n

(Uniwersytet \u015al\u0105ski w Katowicach)
E-mail: jozef.olejniczak[at]us.edu.pl
ORCID<\/a>: 0000-0002-6831-5100
DOI<\/a>: 10.31261\/FLPI.2022.04.10
\u201eFabrica Litterarum Polono-Italica\u201d 2022, nr 1<\/p>\n

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The article is available\u00a0in Polish<\/a><\/strong><\/p>\n

The author interprets Czes\u0142aw Mi\u0142osz\u2019s poetry, following the Italian traces left in it. These are both echoes of travels to Italy and traces derived from reading Italian writers, fascination with painting, architecture and the landscape shaped by man. All these traces introduce the most important motifs of the poetry of the author of \u201cGucio Enchanted,\u201d as well as the essential elements of the literary tradition for this poetry. They are also an image of the evolution of Mi\u0142osz\u2019s poetics. The essay is written in the poetics of the fragment. Rather than drawing unambiguous conclusions, its author shares his interpretative intuitions. He carries out a careful inquiry into the secrets contained in Mi\u0142osz\u2019s poems rather than presenting definitive answers. In a way, it \u201cinvites\u201d you to study the poems of the author of \u201cThree Winters.\u201d These Italian \u201ctraces\u201d lead, however, to the conclusion about the coherence of Mi\u0142osz\u2019s poetic work.<\/p>\n

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