{"id":4261,"date":"2024-06-08T12:25:35","date_gmt":"2024-06-08T10:25:35","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=4261"},"modified":"2025-07-14T19:10:18","modified_gmt":"2025-07-14T17:10:18","slug":"fabrica-litterarum-polono-italica-nr-1-7-2024-anatomia-radosci-i","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=4261","title":{"rendered":"\u201eFabrica Litterarum Polono-Italica\u201d, nr 1 (7) 2024 \u2013 Anatomia rado\u015bci I"},"content":{"rendered":"
<\/p>\n

\u201eFabrica Litterarum Polono-Italica\u201d
nr 1 (7) 2024<\/h2>\n

Anatomia Rado\u015bci I
red. Tadeusz S\u0142awek, Mariusz Jochemczyk, Mi\u0142osz Piotrowiak<\/h3>\n

pobierz ca\u0142y numer<\/a><\/h3>\n

\"\"<\/a>\"\"\u00a0Tadeusz S\u0142awek,\u00a0Mariusz Jochemczyk, Mi\u0142osz Piotrowiak<\/strong>: Wprowadzenie<\/h3>\n

Artyku\u0142y i rozprawy<\/strong>
<\/em><\/h2>\n

\"\"<\/a> \u00a0\"\" Tadeusz S\u0142awek<\/strong>: \u015awiat i rzeczywisto\u015b\u0107. O rado\u015bci jako wsp\u00f3\u0142-istnieniu.<\/h3>\n

\"\"<\/a> \u00a0\"\" \u0141ukasz Musia\u0142<\/strong>: Czy rado\u015b\u0107 mo\u017ce by\u0107 w literaturze r\u00f3wnie filozoficzna co melancholia? Gar\u015b\u0107 wst\u0119pnych my\u015bli.<\/h3>\n

\"\"<\/a>\u00a0\"\" P\u00e9ter P\u00e1trovics<\/strong>: J\u0119zykowy obraz rado\u015bci w Pie\u015bni s\u0142onecznej<\/em> \u015bw. Franciszka z Asy\u017cu.<\/h3>\n

\"\"<\/a> \u00a0\"\" Katarzyna Kuczy\u0144ska-Koschany<\/strong>: Rado\u015bci Rimbauda. Rekonesans.<\/h3>\n

\"\"<\/a> \u00a0\"\" Jacek Gutorow<\/strong>: Rado\u015b\u0107 patrzenia. O Godzinach w\u0142oskich<\/em> Henry\u2019ego Jamesa.<\/h3>\n
\n
\n
\n

\"\"<\/a> \u00a0\"\" Dariusz Czaja<\/strong>: Ba\u015b\u0144 w\u0142oska. Pasa\u017ce radosne.<\/h3>\n

\"\"<\/a> \u00a0\"\" Szymon Wr\u00f3bel<\/strong>: Jacques Tati albo nowoczesna komedia.<\/h3>\n

\"\"<\/a> \u00a0\"\" Leszek Koczanowicz<\/strong>: Rado\u015b\u0107 polityki.<\/h3>\n

\"\"<\/a> \u00a0\"\" Bo\u017cena Shallcross<\/strong>: Anamnesis rado\u015bci.<\/h3>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n

\"\"<\/a>\u00a0\"\" Tomasz Kamusella<\/strong>: Rado\u015b\u0107 z przekraczania ciemnej linii pisma.<\/h3>\n<\/div>\n<\/div>\n

Varia<\/strong><\/h2>\n
\n

\"\"<\/a>\u00a0<\/strong>\"\" Francesco S. Perillo<\/strong>: Cykl kosowski<\/em> Milana Rakicia<\/h3>\n<\/div>\n

\u00a0<\/h3>\n

\n<\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"

Autorzy niniejszego tomu podj\u0119li namys\u0142 nad bardzo wieloma problemami zwi\u0105zanymi z tytu\u0142owym tematem rado\u015bci \u2013 uk\u0142ad numeru oddaje \u201ekierunkowy\u201d charakter projektu: od pyta\u0144 ontologicznych i metodologii bada\u0144 \u201enad rado\u015bci\u0105\u201d (dwa inicjalne artyku\u0142y), przez historyczne uwarunkowania analizowanej problematyki (chronologiczny porz\u0105dek zawieszony mi\u0119dzy Pie\u015bni\u0105 s\u0142oneczn\u0105 Franciszka z Asy\u017cu, a filmowym dzie\u0142em Jacques\u2019a Tatiego i kwestiami odsy\u0142aj\u0105cymi do wsp\u00f3\u0142czesnych, \u201epolitycznych kontekst\u00f3w\u201d zjawiska) \u2013 po wymiar osobisty i prywatne \u201elekcje anatomii\u201d radosnej (dwa ostatnie eseje, zamykaj\u0105ce dzia\u0142 g\u0142\u00f3wny numeru).<\/p>\n","protected":false},"author":2,"featured_media":4268,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3417,3423,34],"tags":[3471,3453,1626,3451,3441,3465,3429,1618,1644,3439,3459,430,3477],"class_list":["post-4261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anatomia-radosci","category-nr-1-7-2024","category-spis-tresci","tag-bozena-shallcross","tag-dariusz-czaja","tag-francesco-s-perillo","tag-jacek-gutorow-pl","tag-katarzyna-kuczynska-koschany","tag-leszek-koczanowicz","tag-lukasz-musial","tag-mariusz-jochemczyk","tag-milosz-piotrowiak","tag-peter-patrovics-pl","tag-szymon-wrobel","tag-tadeusz-slawek-pl","tag-tomasz-kamusella","clearfix"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/4261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4261"}],"version-history":[{"count":8,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/4261\/revisions"}],"predecessor-version":[{"id":4563,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/4261\/revisions\/4563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/media\/4268"}],"wp:attachment":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}