{"id":4283,"date":"2024-06-09T16:49:19","date_gmt":"2024-06-09T14:49:19","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=4283"},"modified":"2024-06-09T17:48:03","modified_gmt":"2024-06-09T15:48:03","slug":"abstrakty-nr-1-7-2024","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=4283","title":{"rendered":"Abstrakty, nr 1 (7) 2024"},"content":{"rendered":"
<\/p>\n

Tadeusz S\u0142awek<\/h2>\n

\"\" <\/em>\u015awiat i rzeczywisto\u015b\u0107. O rado\u015bci jako wsp\u00f3\u0142-istnieniu<\/strong><\/p>\n

Starting from Coleridge\u2019s ode\u00a0On Dejection\u00a0the essay attempts to define complex relationships between dejection and joy also in the domain of pedagogy conceived of as the exercise in practicing the art of living. Faust\u2019s complaint of the elimination of joy from teaching and learning clearly aims at a\u00a0larger social project: a\u00a0society of people who are active and critically assess social and political reality of the day. \u201cTraining\u201d, which education has become, adapts the individual to perform repetitive tasks in order to adapt well to an increasingly mechanistic world. Already in the early decades of the 19th century, Thomas Carlyle said that if he had been looking for a single term to describe the new age, he would have found it in the word 'mechanical’.\u00a0We understand joy as an inclusive rationality that not only allows for that which does not submit to the rigours of the currently valid understanding of rationality, but is capable of taking a step back on the path of \u201cprogress\u201d made under the sign of rationality. It turns out to be necessary to accept the postulate of multiple ways of domiciling in the world, all of which apply in a \u201cmild way\u201d. Such mildness creates the right aura for the joy that comes from the practice of co-being with others.<\/p>\n

\u0141ukasz Musia\u0142<\/h2>\n

\"\" <\/em><\/strong>Czy rado\u015b\u0107 mo\u017ce by\u0107 w literaturze r\u00f3wnie filozoficzna co melancholia? Gar\u015b\u0107 wst\u0119pnych my\u015bli<\/strong><\/p>\n

Can joy be as philosophical in literature as melancholy? The article is devoted to this\u00a0question. In discussing the issue, the author focuses in particular on the 18th century and\u00a0Johann Wolfgang Goethe\u2019s novel The Sorrows of Young Werther. The publication of this\u00a0novel and its reception can be considered as a turning point in the history of so-called\u00a0high literature, which from then on will generally favor melancholy as the central existential\u00a0human experience, and as the most philosophical one.<\/p>\n

P\u00e9ter P\u00e1trovics<\/h2>\n

\"\" <\/em>J\u0119zykowy obraz rado\u015bci w „Pie\u015bni s\u0142onecznej\" \u015bw. Franciszka z Asy\u017cu<\/strong><\/p>\n

W artykule autor podejmuje pr\u00f3b\u0119 rekonstrukcji j\u0119zykowego obrazu rado\u015bci wyst\u0119puj\u0105cego\u00a0w Pie\u015bni s\u0142onecznej \u015bw. Franciszka z Asy\u017cu. Podczas rekonstrukcji szczeg\u00f3ln\u0105\u00a0trudno\u015b\u0107 sprawi\u0142 fakt, \u017ce s\u0142owo \u201erado\u015b\u0107\u201d nie wyst\u0119powa\u0142o w badanym dziele wprost,\u00a0zatem tre\u015bci do niego nawi\u0105zuj\u0105ce i z nim zwi\u0105zane mo\u017cna by\u0142o bada\u0107 jedynie po\u015brednio.\u00a0Konieczno\u015b\u0107 umieszczenia \u201ekantyczki\u201d w szerszym kontek\u015bcie sprawi\u0142a, \u017ce nieuniknione\u00a0by\u0142o zarysowanie epoki i uwzgl\u0119dnienie pewnych element\u00f3w biograficznych, a z\u0142o\u017cono\u015b\u0107\u00a0analizy wymaga\u0142a, opr\u00f3cz literackich, zastosowania aspekt\u00f3w j\u0119zykowo-historycznych,\u00a0tekstologicznych, przek\u0142adowych i teologicznych. Analiza dzie\u0142a polega\u0142a na uwzgl\u0119dnieniu\u00a0oryginalnej w\u0142oskiej wersji tekstu i jej t\u0142umaczenia na j\u0119zyk angielski, eksploracji\u00a0psychologicznych i teologicznych g\u0142\u0119bszych warstw obraz\u00f3w poetyckich, kt\u00f3rymi\u00a0pos\u0142ugiwa\u0142 si\u0119 \u015bw. Franciszek, oraz ukazaniu zwi\u0105zanych z nimi tre\u015bci mitologicznych.\u00a0W trakcie docieka\u0144 autor niniejszego artyku\u0142u doszed\u0142 do wniosku,\u00a0\u017ce pierwotne \u017ar\u00f3d\u0142o\u00a0rado\u015bci, jakie przepe\u0142nia \u015bw. Franciszka, gdy \u015bpiewa w swojej pie\u015bni o stworzeniach, nie\u00a0jest w istocie z tego \u015bwiata, ale jest transcendentne.<\/p>\n

Katarzyna Kuczy\u0144ska-Koschany<\/h2>\n

\"\" <\/em>Rado\u015bci Rimbauda. Rekonesans<\/strong><\/p>\n

The article serves as an attempt at initial exploration of the topic of joy in Rimbaud\u2019s poetry. It is a research survey, richly inlaid with excerpts from Arthur Rimbaud\u2019s works in the original and translation. The study makes a cross-sectional attempt at a hermeneutical and axiological description of the poetry of the author of The Drunken Boat, considering the interpretative key in the form of the indicated motif of joy. The author tries to see the chosen penetration area from a deeper perspective, which allows the details of detailed analysis, processed philologically, to be combined into comprehensive, synthetic images.<\/p>\n

Jacek Gutorow<\/h2>\n

\"\" <\/em>Rado\u015b\u0107 patrzenia. O \u201eGodzinach w\u0142oskich\" Henry\u2019ego Jamesa<\/strong><\/p>\n

This short article interprets Henry James\u2019s Italian Hours (1909) as a series of insights into a phenomenology of seeing, treating the latter as both opening towards the surrounding reality and an act of self-consciousness. James\u2019s phenomenological awareness is informed by his sense of joy, which turns out to be something more than mere delight with beautiful sights and scenes \u2013 it is in fact a joy of discovering the world\u2019s freshness and novelty.<\/p>\n

Dariusz Czaja<\/h2>\n

\"\" <\/em>Ba\u015b\u0144 w\u0142oska. Pasa\u017ce radosne<\/strong><\/p>\n

Images of Italy by Pavel Muratov, the eminent Russian historian of art and the excellent writer as well, have been published over than one hundred years ago. This masterpiece seems to be very well known today and is commonly regarded as a very sophisticated guide of Italian art and architecture. The author presents that such kind of conceiving this legendary book is a typical form of misreading. On the contrary: he emphasizes its\u00a0 cognitive and literary merit. Finally, he reveals the real content of Images of Italy as a special form of Nietzschean gaya scienza, and at the same time, as a still vivid source of the existential joy.<\/p>\n

Szymon Wr\u00f3bel<\/h2>\n

\"\"<\/em><\/strong> Jacques Tati albo nowoczesna komedii<\/strong><\/p>\n

Tekst pr\u00f3b\u0105 interpretacji film\u00f3w Jacquesa Tati. G\u0142\u00f3wnym przedmiotem analizy eseju jest poj\u0119cie \u201ehumoru\u201d oraz \u201ekomiczno\u015bci\u201d. Autor zastanawia si\u0119 nad \u017ar\u00f3d\u0142ami komedii, jej mechanizmami oraz jej granicami. Por\u00f3wnuj\u0105c technik\u0119 gry aktorskiej \u2013 Charlie\u00a0Chaplina, Bustera Keatona, Petera Sellersa i Jacques Tati, autor zmierza do zrozumienia z\u0142o\u017conej relacji mi\u0119dzy komedi\u0105 i tragedi\u0105 oraz cechy charakterystyczne tego, co nazywa \u201enowoczesn\u0105 komedi\u0105\u201d, w kt\u00f3rej samo poj\u0119cie \u201enowoczesno\u015bci\u201d zostaje zironizowane i o\u015bmieszone.<\/p>\n

Leszek Koczanowicz<\/h2>\n

\"\" <\/em><\/strong>Rado\u015b\u0107 polityki<\/strong><\/p>\n

The article deals with a problem that is neglected in reflection on politics, namely whether politics, doing politics, can be a source of joy. Various positions on the matter are considered, from ancient writings to modern newspapers or even tabloids. The constraints on active politicians and the concerns that their private lives may raise are shown. The second theme of the article is the enjoyment of politics by citizens who are not professional politicians. Can participating in democracy, in democratic procedures, be something joyful for them? The thesis of the article is that this is generally not the case, that negative emotions dominate in politics, including democratic politics. The article concludes with the postulate that for a democratic society to function well, it is necessary to restore the joy of participating in democracy.<\/p>\n

Bo\u017cena Shallcross<\/h2>\n

\"\" <\/em>Anamnesis rado\u015bci<\/strong><\/p>\n

The essay\u2019s objective is to nuance the experience of joy as mutual and communal and to seek moments that facilitate its diminishing returns (anamnesis). Framed by radical experiences of the past, the essay intertwines the theme of personal loss (punctuated by citations from private letters to the author) with the loss of a homeland.<\/p>\n

Tomasz Kamusella<\/h2>\n

\"\" <\/em>Rado\u015b\u0107 z przekraczania ciemnej linii pisma<\/strong><\/p>\n

Standardowy obraz bada\u0144, jako praktyka, kt\u00f3r\u0105 \u201erz\u0105dzi\u201d trud, metoda i\u00a0zasada obiektywno\u015bci\u00a0\u2013 wydaje si\u0119 sterylny, mechaniczny i\u00a0pozbawiony efektu ludzkiej sprawczo\u015bci. Jednak, aby badania mog\u0142y si\u0119 odby\u0107, potrzeba naukowc\u00f3w, kt\u00f3rzy pasjonuj\u0105 si\u0119 przedmiotem swoich poszukiwa\u0144. \u201eProwadzenie bada\u0144\u201d powinno sprawia\u0107 fizyczn\u0105 przyjemno\u015b\u0107, kt\u00f3ra wypycha naukowca poza formalne granice okre\u015blone w\u00a0umowie z\u00a0uczelni\u0105 lub instytucj\u0105 oferuj\u0105c\u0105 granty. Rekompensata pieni\u0119\u017cna ma charakter drugorz\u0119dny i\u00a0rzadko wystarcza do zr\u00f3wnowa\u017cenia w\u0142o\u017conego wysi\u0142ku i\u00a0po\u015bwi\u0119conego czasu. Rado\u015b\u0107 z\u00a0odkrywania jest najwy\u017csz\u0105 zap\u0142at\u0105. Pierwszym krokiem wiod\u0105cym na pole bada\u0144, a\u00a0nast\u0119pnie do innych, zr\u00f3\u017cnicowanych praktyk akademickich, jest nabycie umiej\u0119tno\u015bci czytania (i\u00a0cz\u0119sto pisania). Pocz\u0105tkowo pojawia si\u0119 ona w\u00a0systemie pisma u\u017cywanego do zapisu pierwszego j\u0119zyka danej osoby. A\u00a0potem nastaje czas na spotkania z\u00a0nast\u0119pnymi pismami-szyframi. Ten wysi\u0142ek w\u0142o\u017cony w\u00a0\u201eopanowanie kodu\u201d zawsze frustruje, ale ostatecznie przynosi rado\u015b\u0107 z\u00a0otwarcia drzwi do kolejnego ludzkiego \u015bwiata.<\/p>\n

Francesco S. Perillo<\/h2>\n

\"\" <\/em>\u201eCykl kosowski\" Milana Rakicia<\/strong><\/p>\n

W eseju analizowany jest centralny segment tw\u00f3rczo\u015bci Milana Rakicia, jednego z najwa\u017cniejszych przedstawicieli serbskiego modernizmu, cykl kompozycji skupiaj\u0105cych si\u0119 na historii i bie\u017c\u0105cych sprawach regionu, od zawsze stanowi\u0105cego przedmiot\u00a0sporu mi\u0119dzy Serbi\u0105 i Albani\u0105. Wiersze te wyrastaj\u0105 z osobistych do\u015bwiadcze\u0144 Rakicia zdobytych w Kosowie, krainie podlegaj\u0105cej jurysdykcji imperium osma\u0144skiego, dok\u0105d
zosta\u0142 wys\u0142any na pocz\u0105tku swojej kariery dyplomatycznej. Z siedmiu wierszy cyklu pi\u0119\u0107 opiewa tragiczny los tej ziemi, kolebki serbskiej religijno\u015bci. Jeden \u2013 Na Gazi Mestanu \u2013 \u0142\u0105czy zami\u0142owanie do rekonstrukcji historycznej poetyki Parnassiego z \u017carliw\u0105 obron\u0105 oraz dumnym wywy\u017cszeniem narodu serbskiego. Tekst ostatni \u2013 Dziedzictwo \u2013 najbardziej sugestywny i niepokoj\u0105cy, zwraca uwag\u0119 na nierozerwaln\u0105 wi\u0119\u017a z duchowym bogactwem przesz\u0142o\u015bci jako pow\u00f3d egzystencjalnego komfortu. To, czego mi\u0142o\u015b\u0107 kobiety
nie by\u0142a w stanie da\u0107 poecie, ofiarowuje mu odkryta na nowo wsp\u00f3lnota z historycznym dziedzictwem w\u0142asnego narodu.<\/p>\n

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