{"id":4356,"date":"2024-10-15T22:31:02","date_gmt":"2024-10-15T20:31:02","guid":{"rendered":"https:\/\/www.fabrica.us.edu.pl\/?p=4356"},"modified":"2026-01-11T19:42:14","modified_gmt":"2026-01-11T18:42:14","slug":"anatomia-radosci-fabrica-litterarum-nr2-2024","status":"publish","type":"post","link":"https:\/\/www.fabrica.us.edu.pl\/?p=4356","title":{"rendered":"\u201eFabrica Litterarum Polono-Italica\u201d, nr 2 (8) 2024 \u2013 Anatomia rado\u015bci II"},"content":{"rendered":"

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\u201eFabrica Litterarum Polono-Italica\u201d<\/strong>
nr 2 (8) 2024<\/strong><\/h2>\n

Anatomia Rado\u015bci II<\/strong>
red. Tadeusz S\u0142awek, Mariusz Jochemczyk, Mi\u0142osz Piotrowiak<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

\n<\/div>\n

\n\t\n\t\t<\/i> Pobierz ca\u0142y numer\t<\/a>\n<\/div>\n
<\/div><\/div><\/div><\/div><\/div><\/section>
<\/p>\n

\"\"\u00a0Tadeusz S\u0142awek,\u00a0Mariusz Jochemczyk, Mi\u0142osz Piotrowiak:<\/strong> Wprowadzenie<\/a><\/h3>\n

Artyku\u0142y i rozprawy
<\/em><\/strong><\/h2>\n

\"\" Jakub Momro: <\/strong>Saturn i Eros. Rado\u015b\u0107 jako forma samowiedzy<\/span><\/a><\/h3>\n

\"\" Ewa Graczyk: <\/strong>Rado\u015b\u0107 i bunt. O \u201eMacierzy\" Marii Rodziewicz\u00f3wny<\/span><\/h3>\n

\"\" Agnieszka Je\u017cyk: <\/strong>W tek\u015bcie i poza nim. \u201ePoetyka przyjemno\u015bci\u201d w polskiej poezji awangardowej lat dwudziestych<\/span><\/h3>\n

\"\" Krzysztof Rowi\u0144ski: <\/strong>Wspomnienie rado\u015bci w \u015bwiecie bez przysz\u0142o\u015bci. Zaanga\u017cowanie estetyczne i polityczne u Jasie\u0144skiego i Pasoliniego<\/span><\/h3>\n

\"\" Francesca Fornari: <\/strong>O anatomii rado\u015bci \u2013 w archiwum<\/span><\/h3>\n
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\"\" Pawe\u0142 Marcinkiewicz: <\/strong>\u201eW lesie, w drewnianym domku\": o cnocie rado\u015bci i szcz\u0119\u015bcia w najnowszym tomie Michaela Kr\u00fcgera<\/span><\/h3>\n

\"\" Tamara Trojanowska: <\/strong>Podzwonne dla rado\u015bci?<\/span><\/h3>\n

\"\" Mariusz Jochemczyk, Mi\u0142osz Piotrowiak: <\/strong>Nie\/rad\/o\u015b\u0107. Felicytologiczna lektura \u201eDziennik\u00f3w\" Franza Kafki<\/span><\/h3>\n<\/div>\n<\/div>\n<\/div>\n

Varia<\/strong><\/h2>\n
\n

\"\" Adriana Senatore: <\/strong>Obraz Turka w kronikach mo\u0142dawskich spisanych w j\u0119zykach s\u0142owia\u0144skich<\/span><\/h3>\n

Prezentacje<\/strong><\/h2>\n

\"\" Stanley E. Gontarski: <\/strong>O fragmentach. Dzie\u0142o sztuki i \u201eja\u201d \u2013 albo nie<\/span><\/a><\/h3>\n

Dyskusje, om\u00f3wienia, glosy<\/strong><\/h2>\n<\/div>\n

\"\" Anna Gwadera-Dec: <\/strong>Rado\u015b\u0107 czytania (Conrada). Agnieszka Adamowicz-Po\u015bpiech: \u201eAdaptacje biografii i tw\u00f3rczo\u015bci Josepha Conrada w kulturze wsp\u00f3\u0142czesnej\". Wydawnictwo Uniwersytetu \u015al\u0105skiego, Katowice 2022, 364 s.<\/span><\/h3>\n

\n<\/div><\/div><\/div><\/div><\/div><\/section><\/p>\n","protected":false},"excerpt":{"rendered":"

Odnajdujemy zatem \u201esekwencje radosne\u201d i w powie\u015bciowym \u015bwiecie Marii Rodziewicz\u00f3wny, i w awangardowych eksperymentach poet\u00f3w. Stan \u201eradosnej gor\u0105czki\u201d dotyka bywalca filologicznego archiwum oraz artyst\u0119 zamieszkuj\u0105cego cichy dom \u201ena uboczu\u201d. Cnota rado\u015bci pozwala lepiej zrozumie\u0107 dylematy trudnej wsp\u00f3\u0142czesno\u015bci, a nawet wnikn\u0105\u0107 na chwil\u0119 do nieprzenikliwego \u015bwiata Franza Kafki. Zgodnie z przyj\u0119tym porz\u0105dkiem: to Eros i Saturn patronuj\u0105 tej cz\u0119\u015bci tomu. <\/p>\n

Anatomia rado\u015bci<\/p>\n","protected":false},"author":2,"featured_media":4358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3417,3498,34],"tags":[3514,3504,3518,3502,3508,3500,3506,1618,1644,3510,3516,430,3512],"class_list":["post-4356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anatomia-radosci","category-nr-2-8-2024","category-spis-tresci","tag-adriana-senatore","tag-agnieszka-jezyk","tag-anna-gwadera-dec","tag-ewa-graczyk","tag-francesca-fornari","tag-jakub-momro","tag-krzysztof-rowinski","tag-mariusz-jochemczyk","tag-milosz-piotrowiak","tag-pawel-marcinkiewicz","tag-stanley-e-gontarski","tag-tadeusz-slawek-pl","tag-tamara-trojanowska","clearfix"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/4356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4356"}],"version-history":[{"count":32,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/4356\/revisions"}],"predecessor-version":[{"id":4725,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/posts\/4356\/revisions\/4725"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=\/wp\/v2\/media\/4358"}],"wp:attachment":[{"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fabrica.us.edu.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}