The Naked Mountaineer in the Mirror of Myth

The author puts forward the thesis that nowadays in Polish mountaineering literature (auto)biographical forms replace the older genre of expedition books. This change is the effect of the search for fully revealed “real,” and somehow “naked” man as the main source of contemporary’s cultural discourses, which was diagnosed by Michel Foucault as the “anthropological sleep.” The article is an attempt to analyse the mountaineering discourse as the set of transformations of myth (in accordance with Claude Lévi-Strauss’s understanding).

The Aesthetics and Politics of Volcanoes: William Hamilton’s Campi Phlegraei

William Hamilton (1730–1803) was one of the foremost volcanologists of his time, renowned for his scientific contributions as well as his glamorous life. Born into British aristocracy, he served as a diplomat in Naples, where he climbed Vesuvius over 50 times and witnessed numerous eruptions. His observations culminated in the publication of Campi Phlegraei (1776/1779), which, at the time, was the most accurate account of the Phlegraean Fields in Campania, now recognized as one of the largest supervolcanoes on Earth. Hamilton was married to the much younger Lady Emma, who became the lover of Admiral Nelson, the subject of various movies as well as Susan Sontag’s novel
The Volcano Lover. He collected ancient artifacts and captivated visitors such as Goethe with his passion for antiquity. Most importantly, his geological expeditions uncovered the volcanic origins of southern Italy, highlighting the dual nature of seismic activity – both destructive and essential for the region’s fertility. His vivid accounts illustrate the forces of nature, laying foundational insights for modern geology. Campi Phlegraei,
illustrated by Pietro Fabris, combines scientific precision with artistic flair, capturing the pleasant landscapes and perilous eruptions around Naples while pioneering the aesthetics of nature writing. Set against the backdrop of political unrest and the “eruption” of the French Revolution, Hamilton’s reports also reflect the sociopolitical climate of his time. Inspiring writers and artists, his legacy continues to resonate. It offers a historical perspective on today’s environmental challenges and contemporary discourses on climate change and disaster management.

Not Much Has Been Written about the Mountains… On the Subject of Mountain Studies

The article discusses the research subject of mountain studies. The standpoints of two scholars, representative for Polish literary studies, are distinguished, that of Jacek Kolbuszewski’s and Tomasz Stępień’s. While Kolbuszewski argues that the term “mountain literature,” however popular, is imprecise and it is more justified to speak of a theme or a motif of mountains in literature, Stępień draws upon the developments in media studies and adopts a broader definition encompassing all literature somehow related to mountains. Both researchers are united in their conviction that mountaineering literature (the works written by climbers) is a separate phenomenon in literature.

Zygmunt Krasiński in the Alps

This article examines Zygmunt Krasiński’s travels through the Alps between 1829 and 1830, as described in his letters, prose fragments, and French-language diary. The authors focus on how Krasiński depicted the places he visited, viewed through the lens of Romantic aesthetics, emotional sensibility, and – above all – his literary influences. The article also highlights the evolution of his writing from epigonic imitation to creative independence.

Saturn and Eros. Joy as a Form of Self-knowledge

The text attempts to show joy in the modern dialectic of knowledge and reification. Both components of this dialectic lead deeper into current problems with the legitimization of science. Melancholic knowledge, personified by such figures as Walter Benjamin or Theodor W. Adorno, is an extension of this primary tension in the instrumentalization of joy as an autarkic affect on the one hand, and a nominalist utopia and fetishism of immediacy on the other. In the article, “melancholic knowledge” is accompanied by two other types of joy: Kant’s ethics of the heart and Nietzsche’s “joyful knowledge”, both seemingly phenomenological, reaching the edge of joy as a condition of possibility or impossibility of life and knowledge. In this way, one can understand the tension that truly radicalizes joyful modernity – stretched between Saturn and Eros, between cognitive theory criticism and fairy tale.