On Fragments: A Piece of Art and the “I” – or Not

MJnr 2 (8) 2024, Presentations, Stanley E. Gontarski, The Anatomy of Joy
 
By way of conclusion, and in short, I would posit that Mouth in Not I becomes on stage a pressing emblem for Modern literature, theater, and philosophy.
 

References

  • Beckett Samuel (1984a): Samuel Beckett: The Collected Shorter Plays. Grove Press, New York. [cite_start]Full text available at: link. [cite: 261]
  • Beckett Samuel (1984b): Disjecta: Miscellaneous Writings and a Dramatic Fragment. Ed. Ruby Cohn. [cite_start]Grove Press, New York. [cite: 262]
  • Beckett Samuel (2011): The Letters of Samuel Beckett, Vol. 2, 1941–1956. Ed. George Craig et al. [cite_start]Cambridge University Press, Cambridge, UK. [cite: 263, 264]
  • Beplate Justin (2007): Stephen’s lyrical language: memory and imagination in Ulysses. “Études anglaises” 2007, vol. 60, no. [cite_start]1, pp. 42–54. [cite: 265]
  • Deleuze Gilles (1997): Whitman. In: Essays Critical and Clinical. Translated by Daniel W. Smith and Michael A. Greco. [cite_start]University of Minnesota Press, Minneapolis, pp. 46–47. [cite: 266, 267]
  • Gasché Rodolphe (1991): Foreword to Friedrich Schlegel’s Philosophical Fragments. University of Minnesota, Minneapolis. [cite_start]Full text available at: link. [cite: 268]
  • Gontarski Stanley E. (1997): Staging Himself, or Beckett’s Late Style in the Theatre. “Samuel Beckett Today / Aujourd’hui” 1997, vol. 6, pp. 87–97. [cite_start]JSTOR, http://www.jstor.org/stable/25781211. [cite: 269, 270]
  • Graver Lawrence and Raymond Federman (eds.) (1979): Samuel Beckett: The Critical Heritage. Routledge, London. [cite_start]Full text available at: link. [cite: 271]
  • Harmon Maurice (1998): No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider. [cite_start]Harvard University Press, Cambridge, MA. [cite: 272, 273]
  • Joyce James (1986): Ulysses: A Critical and Synoptic Edition. Eds. Hans Walter Gabler et al. [cite_start]Random House, New York. [cite: 274]
  • Kant Immanuel (1929): Critique of Pure Reason. Translated by Norman Kemp Smith. Macmillan, London, p. [cite_start]331. [cite: 275]
  • Kristeva Julia (1980): Desire in Language: A Semiotic Approach to Literature and Art. Ed. Leon S. Roudiez. Translated by Thomas Gora, Alice Jardine and Leon S. Roudiez. [cite_start]Columbia University Press, New York. [cite: 276, 277]
  • Kristeva Julia (2000): The Sense and Non-Sense of Revolt: The Powers and Limits of Psychoanalysis, vol. I. Translated by Jeanine Herman. [cite_start]Columbia University Press, New York. [cite: 278, 279]
  • Loh Vanessa (2021): review of: Sbriglia Russell and Slavoj Žižek (eds.) (2020): Subject Lessons: Hegel, Lacan, and the Future of Materialism. “Studies in 20th & 21st Century Literature”, vol. 45. Northwestern University Press, Evanston, IL. [cite_start]https://doi.org/10.4148/2334-4415.2189. [cite: 283, 284]
  • Margaroni Maria (ed.) (2022): Understanding Kristeva, Understanding Modernism. [cite_start]Bloomsbury Academic, New York. [cite: 285]
  • McKeane John (2023): Art (and Its Deliverance). In: Understanding Nancy, Understanding Modernism. Ed. Cosmin Toma. [cite_start]Bloomsbury Academic, New York, pp. 265–267. [cite: 286, 287]
  • Nancy Jean-Luc (1997): Art, a Fragment. In: The Sense of the World. Translated by Jeffrey S. Librett. [cite_start]University of Minnesota Press, Minneapolis, pp. 123–139. [cite: 288, 289]
  • Nancy Jean-Luc (2005): The Ground of the Image (Perspectives in Continental Philosophy). Trans. Jeff Fort. Fordham, NY: Fordham University Press. [cite_start]Full text available at: link. [cite: 290]
  • Piette Adam (1996): Remembering and the Sound of Words: Mallarmé, Proust, Joyce, Beckett. [cite_start]Oxford University Press, Oxford. [cite: 291]
  • Record Jehl Roby Evan (2013): The “Nightmare of History” in James Joyce’s Ulysses. “Vanderbilt Undergraduate Research Journal”, no. 9. [cite_start]Available from: https://doi.org/10.15695/vurj.v9i0.3766. [cite: 292, 293]
  • Ricks Christopher (2002): Imagination dead imagine. [cite_start]”The Guardian”, 1 June 2002, link. [cite: 294]
  • Segall Matthew D. (2022): Time and Experience in Physics and Philosophy: Whiteheadian Reflections on Bergson, Einstein, and Rovelli. In: Einstein vs. Bergson: An Enduring Quarrel on Time. Eds. Alessandra Campo and Simone Gozzano. De Gruyter, Berlin, Boston, pp. 273–298. [cite_start]Available from: https://doi.org/10.1515/9783110753707-016. [cite: 295, 296, 297]
  • Sbriglia Russell (2021): Notes Toward an Extimate Materialism: A Reply to Graham Harman. “Open Philosophy” 2021, vol. 4, no. 1, pp. 106–123. Available from: https://doi.org/10.1515/opphil-2020-0175. [cite_start]See also: YouTube. [cite: 298, 299]
  • Sbriglia Russell (2022): The Subject. In: Understanding Žižek, Understanding Modernism. Eds. Jeffrey R. Di Leo, Zahi Zalloua. [cite_start]Bloomsbury Academic, New York, pp. 222–225. [cite: 300]
  • Whitelaw Billie and James Knowlson (1978): Practical Aspects of Theatre, Radio and Television. “Journal of Beckett Studies” 1978, no. 3, pp. 85–90. [cite_start]JSTOR, http://www.jstor.org/stable/44783121. [cite: 301, 302]
  • Žižek Slavoj (2019): Sex and the Failed Absolute. [cite_start]Bloomsbury Academic. [cite: 303]
  • Žižek Slavoj (2019): The Ticklish Subject: The Absent Centre of Political Ontology. [cite_start]Verso, London. [cite: 304]
[/kc_column_text][/kc_column][/kc_row]