With the development of mountaineering and the increasing accessibility of the highest mountains, this second literature is emerging more and more from the closed circle of the community and appearing in wide public circulation. This is also fostered by the development of the media, disseminating accounts of high-mountain climbing. Stępień writes about mountain non-fiction, within which expedition books and reportages are popular, and about mountain personal document literature, represented by memoirs, autobiographies and biographies of outstanding mountaineers, often appearing in the form of inter-view-based books [10]:
This mountain documentary literature (expedition accounts and autobiographies) constitutes the most extensive sector of contemporary mountain literature in Poland and internationally. Of course, accounts of dramatic or tragic events in the mountains are in greatest demand, and bestsellers can in turn count on film adaptations. (Stępień 2021: 202).
[10] Non-fiction and personal documentary literature are also identified by Przemysław Kaliszuk as points of reference. However, this researcher emphasises the borderline character of the Himalayan narratives, which are utilitarian-documentary texts, but at the same time “show characteristics inherent in literature”: “The Himalayan narratives are simultaneously expert (in terms of climbing and mountain knowledge) and amateur (in terms of literary competence). They expose this borderline positioning and belong fully neither to literature nor to applied or documentary writing” (Kaliszuk 2018: 60).